Friday, August 10, 2012

Song Dancer Wind Something Woman



Mack Hall
mhall46184@aol.com


Song Dancer Wind Something Woman

(slowly, soothingly)

Like, you know, crystals are so last week’s feeds;
Magic rocks are the latest transcendence,
Drawing from the mountains the soul’s desire
To be one with the one-ness of all things,
Warmed by the desires of the seeking heart,
These rocks, blessed by the, like, ancient peoples
Bring peace and healing to the soul and spirit

(Faster)

And, like, I don’t care what people say
About me and what I done in high school
‘cause that ain’t, like, none of their business
And these people that don’t know me judge me
But they’re in darkness I have found the truth
In Transcendental Earth One-Ness as taught
By the One and he likes me anyway.

Makeshift Shrine



Mack Hall
mhall46184@aol.com


Makeshift Shrine

Teddy bears ribboned to a chain-link fence,
Plastic-wrapped flowers stacked like compost,
Dime-store candles flickering in the exhaust
Of passing mini-vans.  The inanity
Of filler-language falls, descends upon
The shattered souls of the barely alive,
The dead cliches’ of well-planned camera-grief:
“Our hearts and thoughts go out to you.”
What does that mean?  Nothing but conventional noise
For generations of lovers and mourners
Long-ago looted of reality,
Programmed with state-sanctioned hyperbole,
And mourners now are left with nothing but
An existential howl against the light,
Sodium-vapor upon broken glass,
While strident Men of Destiny
There rake for votes among the ashes of death.

Come Laughing Home at Twilight



Mack Hall
mhall46184@aol.com


Come Laughing Home at Twilight

 Beaumont-Hamel, 1916
And, O!  Wasn’t he just the Jack the lad,
A’swellin’ down the Water Street as if –
As if he owned the very paving stones!
He was my beautiful boy, and, sure,
The girls they thought so too: his eyes, his walk;
A man of Newfoundland, my small big man,
Just seventeen, but strong and bold and sure.

Where is he now?  Can you tell me?  Can you?
Don’t tell me he was England’s finest, no –
He was my finest, him and his Da,
His Da, who breathed in sorrow, and was lost,
They say, lost in the fog, among the ice.
But no, he too was killed on the first of July
Only it took him months to cast away,
And drift away, far away, in the mist.

Where is he now?  Can you tell me?  Can you?

I need no kings nor no kaisers, no,
Nor no statues with fine words writ on’em,
Nor no flags nor no Last Post today:
I only want to see my men come home,
Come laughing home at twilight, boots all mucky,
An’ me fussin’ at ‘em for being’ late,
Come laughing home at twilight...

Olympic Ashes



Mack Hall
mhall46184@aol.com


Olympic Ashes

The People line the streets obediently
Awaiting the crematorial flame
Of appointed divine diversity
(Glancing about lest some perfidious Jew
Contaminate the sweet inclusiveness)
While strength through joy is celebrated again
In torchlit progress international
Celebrating freedom as commanded.
In the end, they but cheer their own oxidation

It Says "Moby Richard" on His Swimming License



Mack Hall
mhall46184@aol.com


It Says “Moby Richard” on His Swimming License

Oh, yes, I’ve read that Moby Book;
You won’t believe the hours it took -
The Pequod sailed for many nights
And I was late turning off the lights
While brave men fought wind, tide, and gale:
To tell the truth, I cheered for the whale.

A Movie With a Happy Ending



Mack Hall
mhall46184@aol.com


A Movie with a Happy Ending

Jack was chased all over the ship
Giving his pursuers the slip
Gunfire, then, was Spicer’s game
(One wished Spicer a better aim)
But, Oh! The laughter, short of breath,
When annoying Jack froze to death!

Hymn to a Radio Talker



Mack Hall
mhall46184@aol.com


Hymn to a Radio Talker

Tune: “A Mighty Fortress is our God”
A noisy small man plays at god
A loud-mouth ever flailing;
Our yelper he amid the flood
Of bleak doom-sayers wailing.
For he doth want our cash
For this his tongue doth lash;
He works those crocodile tears
For profits throughout the years,
Please God he has no sequel.

Primary Runoffs - Casting a Vote



Mack Hall
mhall46184@aol.com


Midsummer Primary Runoffs -
Casting a Vote

Well, no, one does not exactly cast a vote -
The petitioner presents his papers,
And the County Mothers pince-nez them
As the countenance of ‘Way Cool Jesus
Beams down upon all from the cinder-block wall
Of the youthatorium, focused on
The holy liturgical percussion-set,
Now sacrally stilled in a Lenten silence.
The beldams rubber-stamp democracy,
And, humbly honored by their Nihil Obstat,
The citizen communes with a party ballot,
Ignoring the glares of disapproval
From one set of partisan poll-watchers  
And ignoring too the approbation
Of another shoal of lapel-flagged bluehairs,
He sits in pontifical dignity
On the folding cathedra of wisdom,
At the cafeteria table of justice,
Rood-screened in occultus by cardboard sheets
(Bearing flags thereon, and symbols arcane),
And blots with The Sacred Pen of Our People
Little squares illuminating holy texts.
He frowns, recalling in indignation
Intrusive ‘phone calls from a candidate:
Suspendatur,” he thinks, and then moves on,
Blotting, blotting away into history,
“Here, sir, the blotters rule.”  And then The Box:
The Blue Box or the Red; the Red Box or the Blue;
The Ballot, unfolded, face up, must be
Not cast but slid, like a speakeasy tip,
Gently, into The Box, The People’s Box.
Not cast, but slid, carefully, and then
In November one does this again.

1 August 2012



Mack Hall
mhall46184@aol.com


1 August 2012 –

The Euphemism Mandate


That which was forbidden from Genesis
Was then gently, tolerantly permitted
And later, under subtle laws, required.

Rendering unto Moloch, today we must pay

For the fires to sacrifice our children
For the bullets of our executions
For the grave of civilization

Iesu mercy.

We Are Our Own Spies



Mack Hall
mhall46184@aol.com


We Are Our Own Spies

“Who is Number 1?”

“You are Number 6.”

The Prisoner, 1965-1966

They do not need The Village1 to spy on us
To Rover2 us with unseen, unknown bounds
To drug our dreams with possets venomous3
Or microphone us on our guarded rounds

Because

In some bright Orwellian techno-mart
We stand in humble, sad submission
To purchase tiny Rovers of sinister art
And contract for our own inquisition





The allusions are to Patrick McGoohan’s The Prisoner.

1The Village – the prison only looks like a holiday camp

2Rover – the malevolent robotic spy, enforcer, and keeper of the bounds, a sort of proto-drone

3“possets venomous” - #6 is frequently drugged by The Village in hopes he will tell all

(Perhaps one of the secrets is why the editing device will not at the moment allow me to reduce item 3 in size)

Planting an Autumn Garden



Mack Hall
mhall46184@aol.com


Planting an Autumn Garden

 Cast in the mortal heat of August, seeds:
A few stray beans, peas, and lots of sunflowers,
And pumpkins for children’s Halloween needs,
Most for the birds; what’s left will be ours

Ironmongery

Mack Hall
mhall46184@aol.com



Ironmongery

Hose clamps, glue, and gaskets along Aisle Ten,
Mower blades next to the metric wrenches,
Motor oil further over, then back again,
Close to the folding rules, marked in inches;

Bolts, hammers, drills, saws, a misplaced wing nut:
Great fun for the craftsman to pause longer,
Among the motors, chisels, and nails - but
What, then, one asks, does iron really monger?

Bach

Mack Hall
mhall46184@aol.com


Bach

You may note that Bach wrote “Air on the G-String”;
Now what was he thinking, the silly old thing?

A Capitalist on Roller Skates

Mack Hall
mhall46184@aol.com


A Capitalist on Roller Skates

She glides from car to car and back again,
In flight upon the summer concrete’s glare,
A cupbearer to each spare-changed paladin.
O may her hard-won dollars buy her hair
The crown of Cleopatra, then the gown
Of Fair Rosamund; so let her be fit
As a noble woman of great renown.
And no false man say she did not earn it.

Bat-Wing'd Dusk

Mack Hall
mhall46184@aol.com


Bat-Wing’d Dusk

The heavy summer dusk is a buffet
Of insects for a delicate bat’s good taste:
A careless moth, mosquitoes bordelaise,
Moths, crickets, flies, gnats - nothing goes to waste!

But even a hungry bat flies low and slow,
Weary-winging his eventide flight,
Tired, lazing through his practiced touch-and-go,
This humid, heat-sodden, late-summer, night.

Saturday, July 21, 2012

A Makeshift Shrine


Mack Hall, HSG
mhall46184@aol.com


A Makeshift Shrine

Teddy bears ribboned to a chain-link fence,
Plastic-wrapped flowers stacked like compost,
Dime-store candles flickering in the exhaust
Of passing mini-vans.  The inanity
Of filler-language falls, descends upon
The shattered souls of the barely alive,
The dead cliches’ of well-planned camera-grief:
“Our hearts and thoughts go out to you.”
What does that mean?  Nothing but conventional noise
For generations of lovers and mourners
Long-ago looted of reality,
Programmed with state-sanctioned hyperbole,
And mourners now are left with nothing but
An existential howl against the light,
Sodium-vapor upon broken glass,
While strident Men of Destiny
There rake for votes among the ashes of death.

Tuesday, July 17, 2012

Another AOL-Verizon Download Failure


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Raton, New Mexico

Typical AOL-Verizon Service

 
 
 
 
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Sunday, July 15, 2012

San Franciso de Assiz, July, 2012

The Valley of the Pinons




Mack Hall, HSG
Mhall46184@aol.com


The Valley of the Pinons

Taos, New Mexico is so cool that it doesn’t need a Starbuck’s.  More than that, Taos coffee is blessed with pinon, making it the best in the world.

Although Taos is an international vacation destination, especially in ski season, it remains a small town (only some 5,000 residents), with farms inside the city limits.  One can dine in the elegant La Fonda (lafondataos.com), Doc Martin’s in the equally historic Taos Inn (taosinn.com/restaurant), or the more recent but equally famous and excellent Michael’s Kitchen (michaelskitchen.com), and ponder that the provider of one’s morning glass of milk might be contentedly munching grass in a small pasture only a few blocks away.

Taos is centered on its plaza, as it has been for hundreds of years, and the very walkable area features numerous shops, galleries, museums, coffee shops, and restaurants.  People still park on the plaza, and although you might have to circle a time or two you’ll probably find a place to rest your Texas plates.  You needn’t go early, though, for any shopkeeper in Taos who opens before ten is considered something of an eccentric.

The plaza itself offers benches, statues, a bandstand, trees, and bits of green for picnicking, and on weekends and holidays musical groups queue up for performances: a mariachi band might be followed by a nasal hillbilly claven, and that by a dance troupe or gospel singers.  Taos is truly multi-cultural, and in a charmingly unselfconscious way.

The multi-cultural thing hasn’t always worked, though, and First Nations, Spanish, Mexicans, and Americans took turns slaughtering each other through the centuries.  Things are pretty quiet now, but last week the Taos County Commissioners fired the county manager.  He should consider himself fortunate; many Taos governments in the past were modified through murders, executions, revolutions, and conquest.

In 1861 many of the Anglo residents of Taos were pro-Confederate, and the First Nations and the folks of Spanish heritage, roughly treated by the Americans, were open to suggestion.  Kit Carson and several other patriots, in a come-and-take-it act worthy of Gonzales, Texas, nailed the American flag to the pole in the plaza in Taos, and guarded it day and night.  As the war progressed, the Taosenos, as part of the New Mexico Volunteers, were essential in the victory at Glorieta Pass.  Because of the loyalty of Taos, their Plaza is one of only seven sites where by law the flag is displayed for 24 hours.

Hippies migrated to Taos a generation ago, and in their senescence they mumble around in their clattering Volkswagens and bad wigs.  Their influence continues in old-fashioned head shops, dime-store mysticism, and dusty store-front healing centers.  The crystals have been replaced by magic rocks, and Moby Dickens (mobydickens.com), the best-known local book shop, features Tarot card readings on Saturdays.  Little-old-lady superstition does not logically gee-haw with literacy, but Taos is tolerantly loopy about that sort of thing.

English and American artists found Taos a century ago, liked the light and the pinon, and made it home.  The Euro-Taos style of painting tends toward impressionism on the cusp of expressionism, with much use of orange, yellow, blue, and green.  The merciless brushes of the less-talented can deteriorate these colors into cliché’, but there is a great deal of good work accomplished in Taos.  The earthernware is of course influenced by the various First Nations groups, who still dominate this art, and also the jewelry.  There is also the usual pretentious clutter; someone will carve a misshapen face onto a stick, glue a feather or some weeds to it, and sell it in the streets as, oh, nature-rain-dancing-woman-spiritual something-or-other.

Down the road a few miles is the community of Ranchos de Taos and its much Ansel Adams-ed and Georgia O’Keefe’d church, St. Francis of Assisi / San Francisco de Assiz.  Photographs and paintings portray the church as standing in isolation, but in fact it has always stood within its own plaza and is now fronted with utility wires, road signs, and advertising.  On a Wednesday morning a nice lady set up her easel and her paints, surely by accident, on the spot where an American lieutenant was shot dead during the 1848 revolt.  And yet, though artists and revolutions and centuries pass, Mass is still offered daily at the parish church.

Nothing about Taos is Disneyfied; the area is layered in history and cultures and repeated changes of national flags, and yet it continues as a rural community which mostly defines itself without lapsing into preciousness and insularity.  Whatever happens in Taos, there will still be breakfast at Michael’s Kitchen, and the sweet scent of pinon will still drift over the plaza.



-30-

Saturday, July 7, 2012

Forward to the 19th Century




Mack Hall, HSG
Mhall46184@aol.com

Forward to the 19th Century

Governor Brown and the California assembly have just discovered railways, and are anxious to introduce them to the Golden West.

Next thing you know, California’s democratically-elected government will hear about electric lights and the wireless.

Specifically, the California Coven proposes to spend some ten billion dollars of state and federal money – your money - to build a high-speed rail line from Los Angeles to San Francisco.  They ignore four salient facts:

1.   There is already an excellent, heavy-gauge, well-maintained railway line between LA and SF now.  Hundreds of freight and passenger trains follow it daily.

2.   Not many people take the train anyway.

3.   High-speed rail is as efficient and as necessary as the SST, the last specimen of which decays in a museum somewhere.

4.   California is a debtor state, and ought to be taking care of the budget, not experimenting with dangerous and expensive toys.

The California coast is indeed crowded, and the existing highways are jammed.  If more folks could be persuaded to ride trains, both long-distance and for commuting, life for travelers could be better.

But instead of assisting private and public railroad companies in placing light, efficient, modern trains onto the grid of existing rails, the Magic Circle in Sacramento propose to tax, borrow, and loot billions for a bullet train, its special trackage, and the attendant seizure of folks’ houses under the odious doctrine of eminent domain.

Further, the Budget-Crusher Express would benefit only the Axis of Preciousness.  The world is not centered on San Francisco and Los Angeles;   why should all Californians and all Americans suffer having their already threadbare pockets picked so that a privileged few can be sped from Hollywood and Vine to Fisherperson’s wharf and back again?

The first stretch will connect Bakersfield and Madera through farmlands, but not even the first day of construction has been scheduled.  Thus, if you are middle-aged and waiting in Bakersfield for the bullet-train to Madera (and have you ever heard of Madera?), you won’t make it to the heaven-reaching spires of that fabled Xanadu in your lifetime.  Further, those 130 miles of speeding bullet train will not carry farmworkers or even the first crate of lettuce anywhere, and when the line is completed, Bakersfield and Madera will no longer be stops but only rustic blurs glimpsed thought the train windows.

Finally, the strongest argument against bullet trains anywhere, not just between rows of cabbages in California, is that these trains are killers.

China has had bullet trains for years, which are said to run at 124 miles per hour.  Japan’s bullet trains zip through that island at 186 mph.  France is the speed champion – French trains average 218 miles per hour.  Cool, huh?

Cool until one breaks.

You can’t survive the structural failure of anything at 218 mph.

Over 150 years of railway history show us that trains are fast, efficient, essential, and extremely vulnerable.  The establishment of roadbed, crossties, and rails requires precision engineering, construction, and maintenance.   If there is a failure at any point – a careless x-ray of a meter of rail, an inadequate weld joint, a shifting of the sub-soil – then that bullet train is not going to roll to a stop among Farmer Brown’s carrots; it’s going to launch into the surrounding  soil, rocks, road, culverts, water, and trees at 218 mph.  The impact alone will kill you, but for lagniappe add shards of glass, fragments of steel and aluminum, and, for lighting effects, mega-volts of electricity from the electrical lines.

The designers and craftsmen will have built into that train and its infrastructure layers of redundancies – an extra driver, multiple-computer backups of everything, continuously monitored tracks, the finest steels and alloys – and yet the bullet train will crash, and everyone aboard will die.

The Titanic, the Hindenburg, the Cannonball Express, an Air France Airbus, an Anglo-French Concorde, the tires on your car – every gadget fails.  You just don’t need to be in a needless train at 218 mph when it goes to glory.

Finally, our national government can’t even keep the lights on in its capital city, a failure which pretty much defines a third-world nation.  Why, then, should anyone have to sit in the dark and think about paying for Star Trek-y golly-gee-whiz trains?


-30-

Wednesday, June 27, 2012

Stroked While Trying to Escape




Mack Hall, HSG
mhall46184@aol.com



Stroked While Trying to Escape

(Hosni Mubarak)


The new dictator dictates that the old
Must suffer a stroke while trying to escape;            
Hosni ruled heavily, cruelly, and cold;
It’s his relatives now who wear black crepe









Rain in the Night




Mack Hall, HSG
mhall46184@aol.com


Rain in the Night

The rain has washed away the chance to mow
And so
The little frogs are safe from spinning blades
The shades
Of caterpillars will not be dispatched
Or thatched
The misty morning’s soft midsummer air
Is fair
In repose peaceful as the rabbits munch
Their lunch


Tax Appraisal



Mack Hall, HSG
mhall46184@aol.com


Tax Appraisal

Most happily the county and the state
Have no ability to count or rate
Our memories singing across the land:
Roaming with Robin and his Merry Band,
Getting the cows up at the end of day
The distant rumble of the Santa Fe
The ancient forest just beyond the fence
The stings of bees that made one yelp and wince
Kissing a girl beneath the old oak trees
(O what a flirt she was, a scamp, a tease!) -

But

Governments can’t tax our memories or dreams,
So we are free to fish in Lethe’s sweet streams









An Old, Old Colossus



Mack Hall, HSG
mhall46184@aol.com



An Old, Old Colossus

News item: corpses of stowaways found in a container ship

Foul darkness, stench, and silence thus entomb
Dead made-in-China hopes inside a box,
Lost souls upon, within, a breathless sea
Among the video games and Christmas toys,
The sneakers that one cannot live without
And fashions fresh from blooded tiny hands
In squalid concrete blocks of suicide.
True bills of lading note the paperwork,
Promissory notes of neatly typed doom,
Free on board, but payable upon our deaths:
The tired, the poor, the huddled corpses wait,
Decaying in an airless metal box,
Afloat upon a golden harbor where
A grim, badged functionary, uniformed
In body-armor and tactical gear,
There lifts his lamp inside the blackened door,
And mourns.