Mhall46184@aol.com
Decolonize Decolonizing
talk you think ‘What breadth of imagination, what richness!’ But in fact it’s so pompous just because it is so
unimaginative and second-rate.”
-Yuri, Doctor Zhivago, pp. 284-285
The Whitney Museum of American Art (https://whitney.org/) in New York City was founded in 1934 in support of 20th and now 21st century art – paintings, sculptures, drawings, prints, photographs, films, performances, and other expressions of creativity. Not only does The Whitney maintain a permanent collection for the public but also encourages young artists through twice-yearly shows funded by private donations.
The Whitney, through its donors, employees, volunteers, and participating artists, has given the world an artistic outreach and showcase matching the great museums of St. Petersburg, London, and Paris.
Some of America’s greatest artists developed their artistic careers with the help of The Whitney.
Naturally this evil must be stopped.
One of the current trustees of The Whitney is Warren Kanders, and he is associated with a company (http://www.safariland.com/brands/safariland/) that manufactures and sells sporting goods and police protective gear. They do not make or sell firearms, but they do sell tear gas to law enforcement.
Various organizations of Miz Grundys have chosen to seize upon this one product as a pretext for censoring free artistic expression. As ordered by their handlers they make posters, block the free movement of artists and other citizens, and yell “Decolonize this place!” (https://hyperallergic.com/510834/whitney-biennial-boycott-response/?utm_medium=email&utm_campaign=Daily%20072519%20-%20As%20Artists&utm_content=Daily%20072519%20-%20As%20Artists+CID_cf3fe71544c7cea3086f713caab7e21e&utm_source=HyperallergicNewsletter&utm_term=As%20Artists%20Withdraw%20From%20the%20Whitney%20Biennial%20Over%20Kanders%20Controversy%20Others%20Refuse%20the%20Call%20to%20Boycott).
They don’t know what “Decolonize this place” means, and The Whitney is not a colony, but they’re told to yell it, and they do as they are told.
Under National Socialism, Socialism, Fascism, and other tyrannies the sole purpose of art is to serve whatever political party is currently in power. An artist does not think for himself, he obeys his masters. He must make party propaganda, and may not deviate into exploring truth and beauty. Propaganda might as an accidental by-product be aesthetically-pleasing, as in Soviet poster art, but that is not its purpose
In a free society there is no political purpose in art. An artist does not accept a master, he does not follow orders, he does not obey. An artist explores truth and beauty in ways that he wants, and if he has a boss (someone has to paint the vegetables on a can of soup or join with a team in making a movie), it is because the artist has freely chosen to work for that company or with that team.
That political hacks are demanding that other artists withdraw from The Whitney is no surprise in our turbulent era; the surprise and the joy is in the brave artists who refuse to do as they are told by the Miz Grundy-Decolonize-this-Place scream-squads.
By the way, I was tear-gassed in the Navy, both in recruit training and then later up some river when some old canisters of the stuff fell apart in transit. Just send me the money, someone.
(A final note: as of this writing, Mr. Kanders has withdrawn from board of The Whitney for the sake of that worthy institution. I hope the artists whose careers he has helped over the years will be privately grateful to him, even if they are bullied into public silence.)
-30-
No comments:
Post a Comment